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long sleeved robe with padded hem; printed design with bold flowers and pink ground; bright multicolors--primarily red and orange; cloud-like forms at top and chest are black with grid of gold dots; pair of grey, green, white, and gold birds with very long tailfeathers, with accents in gold embroidery, on stomach; crane above pair of birds; birds on back of sleeves and PR shoulder, with gold details; large crane with gold details on PR lower back; black at ends of sleeves and hem; lined in red

Nagasode kimono, from a five-piece wedding kimono set, 1934

Unknown Japanese

G219

long-sleeved robe with thickly padded red hem; tuquoise with horizontal gold metallic uneven bands and squares; multicolored embroidered flowers and foliage; embroidered birds in various location throughout; red and white bird printed lining with gold forms

Uchikake (outer robe), from a five-piece wedding kimono set, 1934

Unknown Japanese

G219

red and white tie dye with wavelike clouds and flying birds; robe with long sleeves with solid red lining

So-shibori juban (undergarment), from a five-piece wedding kimono set, 1934

Unknown Japanese

G219

predominately gold and green sash, with florform background designs and bright multicolored floral medalions, including medalions with cranes, phoenixes, and butterflies

Obi (sash), from a five-piece wedding kimono set, 1934

Unknown Japanese

G219

cream-colored garment with padded hem

Juban, from a five-piece wedding kimono set, 1934

Unknown Japanese

G219

sheer dark blue silk decorated with woven medallions over salmon-colored silk with woven dots and flowers; white collar

Man’s robe, 19th century

Unknown Korean

G206

Both sides inscribed with very small text in black and red; short sides are selvedge edges

Cheat's Handkerchief, c. 1860

China

G217

One of a pair of Imperial prayer banners in imperial yellow k'ossu made up of one wide and two narrow strips attached to a gilded bronze plaque with two dragon heads. The central strip, terminating in slit shaped ends finished with wedge-shaped plaques of gilded bronze, is formed of blue-black k'ossu with an inscription in gold characters mounted in yellow k'ossu, which has a design of the Eternal Sea, slender, five-clawed dragons, bats, and clouds in shades of blue, green, violet, crimson, and pink. The side strips suspended from shaped gilt bronze plaques incised with scrollscarry the same dragon and cloud design and terminate in three narrow strips of blue k'ossu with meander fret in gold. The strips are attached to the yellow band by three gilt bronze fungus heads, which are repeated on ends of blue strips. Lining of egg-shell silk of medallion design. These banners are said to have flanked the Emperor's private alter in the Temple of the Forbidden City. Of superb quality and condition. See Harris label for translation of inscriptions.

Altar Banner, Yongzhong period (1723-1735)

China

G218

Sleeveless robe of deep blue satin embroidered in satin stitch with large moth butterflies in shades of blue, pink and yellow. Border of floral medallions in blue, set off from body by a band of multicolored brocade with floral branches, phoenix, butterflies, etc. Some couched, laid and knot stitch. Lining of thin chartreuse yellow silk. Cf 42.8.67 for similar butterfly motif but in k'ossu.

Manchu Women’s Unofficial Informal Vest, 19th century

China

G210

One of a pair of Imperial prayer banners in imperial yellow k'ossu made up of one wide and two narrow strips attached to a gilded bronze plaque with two dragon heads. The central strip, terminating in slit shaped ends finished with wedge-shaped plaques of gilded bronze, is formed of blue-black k'ossu with an inscription in gold characters mounted in yellow k'ossu, which has a design of the Eternal Sea, slender, five-clawed dragons, bats, and clouds in shades of blue, green, violet, crimson, and pink. The side strips suspended from shaped gilt bronze plaques incised with scrollscarry the same dragon and cloud design and terminate in three narrow strips of blue k'ossu with meander fret in gold. The strips are attached to the yellow band by three gilt bronze fungus heads, which are repeated on ends of blue strips. Lining of egg-shell silk of medallion design. These banners are said to have flanked the Emperor's private alter in the Temple of the Forbidden City. Of superb quality and condition. See Harris label for translation of inscriptions.

Imperial Altar Banner, Yongzhong period (1723-1735)

China

G218

Sleeveless robe of dark blue k'ossu with design of butterflies in shades of blue, yellow, pink, and green. Border of greyed blue k'ossu with butterflies and blossoms set off from body by a strip of blue and gold brocade. Painted details. Lining of thin pink silk. A companion to 42.8.80.

Manchu Woman’s Unofficial Informal Vest, 19th century

China

G217

Child's coat of imperial yellow silk embroidered in shades of blue, red, and pink. Eight 5-clawed dragons, bats, and sprawling, tight-headed clouds. Conventional border of slightly wavy short lines; tight clouds; rolling waves in which appear branches of coral. Border entirely in blue and white. Sleeves below border area are plain. Plain upstanding collar, fastening in front. Lining of long-life medallion damask.

Manchu Child's Semiformal Robe, 19th century

China

G218

dark blue wool with yellow, red and white stripes at one end; appliquéd silk ribbon in white, lavender, light blue and medium blue forming U-shaped section with strips of symmetrical stepped flower and leaf designs; 4 red silk hand silhouettes, trimmed in white beads; green silk trim

Friendship Blanket, c. 1900

Wazhazhe (Osage)

G261

Emperor's ceremonial twelve-symbol coat of yellow k'ossu with nine five-clawed dragons, those in profile clasping the Heavenly Jewel. Background of loosely drawn cloud forms, bats, and good luck emblems in shades of blue, green, violet, red, rose, and gold. At bottom wide border of tossing waves dotted with flowers, flower vases, swastika and other emblems. At sides, center front and back where coat is slit, small areas of slanting, wavy stripes. Similar reduced border at elbows, where sleeve is extended by a strip of ribbed yellow silk finished with cuffs of dark blue k'ossu. Band of same dark blue k'ossu around neck and down front to under arm. Coat lined with figured blue silk and lightly interlined. Yellow ceremonial coats worn in sacrifices to earth.

Manchu Emperor’s ceremonial twelve-symbol jifu court robe, 1723-1735

China

G103

white ground; pink, yellow, purple, green, turqouise tulip-like pattern; purple trim; blue, tan, orange print backing

Ikat wall hanging, c. 1850-1875

Uzbekistan

G240

Woman's blouse; white satin with bright yellow and dark blue ikat warp pattern; open both back and front.

Woman's coat, late 19th century

Uzbekistan

G240

green jade; top carved with large dragon and small dragon holding a ball between their mouths; gold cord with tassels through mouth of larger dragon; carved inscription on bottom

Imperial Seal, Date Unknown

China

G103

large semicircular pink brocaded silk cope; brocade pattern of colorful roses and flowers intertwined with strips of ribbons and lace; front panels and two front tabs trimmed with a silver galloon; ground is bright pink taffeta with an ombre warp stripe; cope is pieced together from fabric of a previous garment; lining of light pink cotton

Cope, c. 1760

France

G281

Brocaded panel of polychrome design with small groups of figures around a central Buddha; mountains in background. Framed by dark purple and gold brocade, possibly Japanese. Note similarity to Tibetan painting; Tibetan-type altar hanging probably executed by Chinese artisans. Former Classification: Textiles - Tapestry

The monk Hva Shang, early 19th century

China

G212

Snuff Bottle in shape of tree trunk with carved figure at base and frogs in relief on trunk and on stopper; embroidered silk standard. Spoon missing.

Snuff Bottle, 1875-1925

China

G216

Empress' long sleeveless coat of yellow satin brocaded in shades of blue, green, aubergine, red, pink, and gold. On each side of front opening two rampant dragons, one above the other, the upper one clutching the heavenly jewel; in back, one sitting and two rampant dragons; all five-clawed. In the field loose cloud forms. Border of curling, over-lapping waves. Front, bottom, and sides (open except for a short joinunder arms) trimed with band of black velvet studded with brass studs and bordered with narrow strips of green and gold and red and gold brocade. At bottom a network of green fringe cording in long gold tassels hangs over a wide band of red satin. Lined with rose satin, lightly interlined with cotton batten.

Manchu Woman's Semiformal Court Vest, Kangxi period, 1662-1722

China

G210

Skirt, pleated, of ivory silk brocaded with swastika and gourd design, Front and back panels decorated at bottom with an applique design, embroidered in loop(?) stitch showing figures of women in a flowery landscape. Shades of pink, yellow, green and blue. Main panels, and lower area of pleats, have an elaborate applied border consisting of a wide strip of blue satin and two narrow inner strips of braid, one yellow and one brocaded blue silk. Outer edges of panel, and edges of pleats have a narrow strip of dark blue satin edging the border proper. The main blue satin border embroidered at the bottom with various emblems in colores and couched threads. Lining of thin blue silk.

Skirt, 19th century

China

Not on View
Buddhist priest robe, kesi, Kangxi blue. An exceptionally fine example of kesi weaving with five-clawed dragons in gold and individual flower motifs in shades of red and pink. Patched character of robe achieved with narrow bindings of yellow satin.

Buddhist Priest Robe, 1662-1722

China

Not on View
Imperial robe of blue k'ossu with gold swastika-fret diaper ground. Nine 5-clawed dragons in gold, those in profile clutching the Heavenly Jewel. On the ground are scattered loose clouds and bats in shades of blue, green, red, pink, soft violet, olive green and yellow. Conventional border of slightly wavy stripes in gold and black threads; tight clouds; rolling waves in gold and black threads with symbols of the Eight Precious Things and branches of coral. Below border on sleve, a strip of blister ribbed black silk. Cuffs of greyed-blue K'ossu with bats, clouds, dragons etc. Note stronger violet color in cuffs which are obviously a later addition. Collar band is of black K'ossu with body designs and is edged with blue and gold brocade. Coat slit front and back and lined with thin blue silk. K'ossu badly broken on right shoulder.

Dragon Robe, Jiaqing period, 1796-1820

China

Not on View
Taoist priest robe of embroidered rust-rose satin. Back and shoulders embroidered with all-over tenders embroidered with all-over tendril ground in couched gold threads. On back conventional Taoist motives large butterfly medallions and Buddhist symbols in couched gold threads and couched twist in colors. On the front are dragon medallions and two large dragons in couched twist stitch. Borders of black satin with Buddhist symbols, dragons, and lotus in couched twist stitch in colors and gold. Faded. Lining of rose-red silk of dragon medallion design.

Daoist priest’s robe (jiangyi), Kangxi period, 1662-1722

China

Not on View
Woman's robe of twilled, cerise silk embroidered with butterflies in shades of magenta, poison green, shades of purple and strong blue. Shaped collar band, skirt borders, and sleeve bands of black satin ebmbroidered with butterflies in colors. Wide cuffs, of white silk also embroidered with butterflies. Lining of thin blue silk.

Robe, 19th century

China

Not on View
Throne back cover of yellow k'ossu with a central, shaped panel, edged with a band of gold threads in which are scattered peonies, lotus, chrysanthemums, bats, and swastikas in shades of blue, green, red, pink, apricot, and gold threads. Border of the same design. The boxed border has running design of floral sprays and bats. Lining of yellow raw silk with cloud patter. Seal & inscription on back. Cf. 42.8.238 for similar design

Throne Back Cushion Cover, late 18th century

China

Not on View
Imperial coat of blue k'ossu with nine five-clawed dragons in gold, and the ground scattered with loosely drawn clouds and bats in shades of blue, red, green and yellow. Profile dragons grasp the Heavenly Jewel. Border of slanting, wavy stripes beneath a band of curling, tossing waves above cloud forms. Border repeated in miniature at elbows, where sleeves continue with band of dark blue ridged silk ending in cuffs of dark blue k'ossu with body motifs. Collar and front band of same blue k'ossu. Coast slit front and back and lined with thin blue silk. K'ossu torn at shoulders, elbows, and in face of big front dragon.

Dragon robe, Yongzheng period, 1723-1735

China

Not on View
Hanging of light olive-green satin brocade. Five five-clawed dragons in gold one large seated one at upper center; the others prowling at his sides and beneath him. In the field are loosely drawn, straggling clouds and the Heavenly Jewel. Below the eternal sea with deeply rolling waves dotted with loose clouds, and the sacred mountain. Border of yellow silk brocaded in gold with various symbols hard to identify because the gold threads are worn away. Along lower border two rounded-arch patches of the satin have been set in. Lining of thin yellow silk.

Hanging, Kangxi period, 1662-1722

China

Not on View
chartreuse, pleated, seperate panel front and back, embroidered in shades of blue and white. Purple braid trim on panels and hemline.

Skirt, 19th century

China

Not on View
Robe of red twilled silk embroidered with eight large medallions containing cranes, butterflies, chrysanthemum and peony sprays in shades of pale blue, green, rose, lavendar, and magenta. Conventional border of straight, slanting stripes; tight clouds; rolling waves with Buddhist symbols, swastikas, branches of coral and emblems of the Eight Precious Things. Colors very crude and strong. Wide deep cuffed sleeves with a band of black silk embroidered with the medallion motifs and finished at lower edge with band of gold and black brocade. Directly below a band of the red silk separates this from the cuff, also of black silk and embroideded with the medallion motif. Collar band of the same, both edged with black and gold brocade. Robe is slit at sides, unlined but faced back with bands of the embroiedred silk. A woman's coat?

Medallion Robe, 19th century

China

Not on View
brown and white stripes

Noh costume (noshime), Date Unknown

Unknown Japanese

Not on View
design of floral crests and chrysanthemum and fence design on a salmon ground

Noh costume (nuihaku), 19th century

Unknown Japanese

Not on View
purple decorated with roundels

Trousers (hakama), Date Unknown

Unknown Japanese

Not on View
Plain weave. Possibly warp painted or dyed? Soft shapes of different colors blend together.26" pattern repeat. Plain weave. Possibly warp painted or dyed? Soft shapes of different colors blend together.26" pattern repeat. (gold/blue/green)

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Rangoon, 20th century

Larsen Design Studio, New York; Mill: N/E; Producer: Jack Lenor Larsen, Inc.

Not on View
Leno brocade. Plain weave ground. Two Fleur de Lis type designs in staggered, alternating rows. 7.50" Pat. rpt. (beige)

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Leno Brocade, 20th century

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain weave silk cloth with alternating 1/2" and 1 1/4" pale yellow stripes of puckered warp in between vertical pale orange stripes and thin green lines. Plain weave silk cloth with alternating pale yellow 1/2" and blue 1 1/4" stripes of puckered warp in between vertical yellow and light blue stripes and thin grey lines. Larkspur

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Charleston, 1996

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View
checked design with green, tan, white, pink and purple bars and squares

%C2%A9 Loon Yar Kyaw

Panel, 21st century

Loon Yar Kyaw

Not on View
orange with white ikat-like designs; white line at one side; design terminating in zigzags at opposite side; scattered pink threads in design

%C2%A9 2003 Nang Mya Oo %2F Mya Setkyar

Panel, 2003

Nang Mya Oo; Manufacturer: Mya Setkyar

Not on View
pale peach colored obi with tiny pattern resembling fans made from tightly gathered and tied stitches; ruffles at ends

Obi, 20th century

Unknown Japanese

Not on View
golden clouds and lightning bolts against dark purple background

Noh costume jacket (happi), first half 20th century

Unknown Japanese

Not on View
off-white tie with abstract black geometric pattern embroidered in black; blue, gray, yellow, and red squares within black patterns

%C2%A9 Yoshida T%C5%8Dshi

Embroidered Tie, second half 20th century

Yoshida TĹŤshi

Not on View
brown silk textile constructed of two panel; textile decorated with perforations in the form of lines and crosses; shorter edges are hemmed

Panel, 20th century

Yoruba

Not on View
red, green, pink and grey; red and green plaid at ends; central section woven with bands of curvilinear designs and wave shapes; two panels sewn together

Man's longyi, 19th century

Myanmar (Burma)

Not on View
striped and ikat-like bands in orange, yellow, green, white, red, purple and blue; blue stitched edging on two sides; red and yellow tassels on braids on two sides

Head scarf, early 20th century

Turkey

Not on View
pale yellow with checked design; bright yellow, red, pink, tan and black; black double circle designs; wide band made of seven bands of black dash designs near center

%C2%A9 Shwe Sin Tine Family

Panel, 21st century

Shwe Sin Tine Family

Not on View
dark red plain weave with supplemental horizontal patterns in varying widths in gold, orange, white, blue, green and cerise; long attached twisted fringe in same colors

Shoulder cloth, Date Unknown

Laos

Not on View
black silk (?); crimped; long rectangle

Head Veil, 20th century

Syria

Not on View
blue ground with design of flowering trees, waves and houses

Kimono (furisode) with design of a fishing village in spring, 1st half of the 19th century

Unknown Japanese

Not on View
black with magenta wave design; green and metallic gold circles and vertical stripes; blue silk lining inside collar and at shoulder; thin, gauzy fabric

Meisen kimono, first half 20th century

Unknown Japanese

Not on View
eleven strands of approximately 1/2" black braids attached to top with tan "binding"; piece of tape at top says "173"; strands all have tassels

False braids, first quarter 20th century

Unknown Anatolian

Not on View
tapestry made up of large woven center section with variations on undulating wave pattern; bordered by striped silk on 3 sides and solid black on one side; red, blue pink; beige lining

Luntaya hanging (Ichat), mid 20th century

Luntaya

Not on View
red and yellow with blue/purple borders; finely woven with supplementary white diamond shapes; 1-1/2" warp floats near top and bottom edges

Bath mat (or wrap?), early 20th century

Bursa (?)

Not on View
finely woven with alternating blue and yellow stripes in various patterns and widths; extremely delicate 2-1/2" pink warp float on each end

Ceremonial bath mat (or wrap?), early 20th century

Bursa (?)

Not on View
horizontal rows of soft wavy desings in soft red on cream and tan field; center back strip with vertical line only; bottom edge hemmed

Skirt (Longyi), mid 20th century

Mandalay, Shan(?)

Not on View
green silk body with black stripes; strip around hem with geometric pattern in cream, black and green on green

Skirt, first half of 20th century

Lao

Not on View
black and green vertical stripes; black waistband; 6" wide embroidered band at bottom; gold, pink, red, purple, blue and cream; pattern stitches rather than cross-stitch

Skirt, 20th century

Lao

Not on View
black and blue brocade silk with red border on coarse weave backing; flat embroidery of birds, butterflies and flowers in green, dark pink and yellow; edges highlighted in narrow gold braid

Apron, Date Unknown

Miao

Not on View
two-panel silk wrap skirt; plain tan cotton waistband; left sections of each panel heavily embroidered, centering on a depiction of a figure in garden scene framed by ribbon and applique; right sections have bright blue ribbons fanning down tan brocade and ending in loosely attached points with tassels; black and blue lower border; lined in blue silk

Skirt, Date Unknown

Miao

Not on View
woven red scarf of silk; selvages are purple blending to blue; ends are not identical width with stripes of red, blue, yellow and pink; fringe on both ends

Scarf, c. 1930

Uzbekistan

Not on View
long silk ecru garment; underarm and side panels are of one piece forming gusset-like structure; long wide sleeves have small crocheted finish; apparently unfinished--no neck hole

Undershirt, early 20th century

Syria

Not on View
silk; two panels, hand sewn together vertically; red with horizontal stripes of various widths, some stripes within stripes, some geometric designs in brown, gold and green; top and bottom hand hemmed; bottom 5 1/2" solid red

Skirt, Date Unknown

Banjara

Not on View
silk woven in overall pattern of narrow, green vertical stripes on red with gold accents; hand stitched seam in center of 31" section of 3-4" solid red with 1/2" stripes; selvedges have been hemmed

Skirt, 1930

Cambodia

Not on View
off-white; two ends trimmed in knotted pattern and small tassels; seven strips stitched together

Shawl or head wrap, mid 20th century

Uzbekistan

Not on View
Plain handwoven heavy silk dual. Blue, brown & green. Blue/brown Striae

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Jim Thompson

Shan, 1971-1990

Jim Thompson; Mill: The Thai Silk Co. Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
Silk canvas woven in China. Silk canvas woven in China. Ivory

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Tchin Tchin II, 1981

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.; Mill: China National Textile Corp., China

Not on View
Plain tightly handwoven 1/2" vert. Stripes with 1" horiz. Rpt. Peach & green. Flamingo

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Shan Broadcloth Linea, 1992

Larsen Design Studio, New York; Mill: The Thai Silk Co. Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
Horiz. Stripes with pyramids. Vert. Rpt. 19.5"; horiz. Rpt. 18.5". Handwoven Ikat. Pink & mauve hor. Stripes, blue stripes with white pyramids. Vert. Rpt 19". Hor rpt. 19". Ikat, handwoven. Cactus Flower

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Pyramids, 1980

Larsen Design Studio, New York; Mill: The Thai Silk Co. Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
Printed swirls on handwoven fabric. 38" vert. rpt. Handwoven. Printed ecru and mauve swirls on beige ground. 38" vert. Low. RT Selvage uneven. Moonstone

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Savanna, 1981

Larsen Design Studio, New York; Mill: Winston Prints; Producer: Jack Lenor Larsen, Inc.

Not on View
Natural white balanced plain weave silk cloth with wider spaced weft and warp (each 1/8") every 1/8". Forms checker board design. Natural white balanced plain weave silk cloth with wider spaced weft and warp (each 1/8") every 1/8". Forms checker board design. Pearl

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Larsen Design Studio

Star Eyes, 1995

Larsen Design Studio, New York; Producer: Jack Lenor Larsen, Inc.

Not on View
Plain handwoven heavy silk dual. Grey. Gunpowder

%C2%A9 Jack Lenor Larsen%2C Inc.%2C Jim Thompson

Shan, 1971-1990

Jim Thompson; Mill: The Thai Silk Co. Ltd.; Producer: Jack Lenor Larsen, Inc.

Not on View
geometric embroidery with borders; red, magenta, orange, blue, white, green; self fringe with additional fringe added on each end; heavy fringe

Belt, Date Unknown

Miao

Not on View
woven; long, narrow; fringed; 25 different geometric designs banded in narrow blue, pink, white and red linen; fringe is 9-1/4" loose warp; blue, white, orange, red

Belt, Date Unknown

Miao

Not on View
predominant center diamond patterns repeated in narrow borders; geometric embroidery in red, orange, green, magenta, blue, white fringe; self fringe with additional fringe added to each end

Belt, Date Unknown

Miao

Not on View
monk's stole: white on one side with chrysanthemum motif; gold and gray brocade on opposite side with flowers and rabbit motif; four burgundy and gold brocade panels at inner corners of gray side

Noh Costume of a Buddhist Priest's Robe, late 19th century

Unknown Japanese

Not on View
long-sleeved under robe of sheer black silk; tiny gold buttons; black metal snaps at cuffs

Under robe, Date Unknown

China

Not on View
long-sleeved robe; body of purple sheer silk woven with multicolored plants, flowers, butterflies and insects; black sheer silk trim with similar muticolored weaving; pastel-colored additional trims with floral motifs; off-white cuffs and lining

Robe, Date Unknown

China

Not on View
sleeveless robe; body is black with blue and white embroidery of butterflies and flowers; white trim with blue and white floral embroidery; additional trim of blue floral patterning flanked with tan stripes; blue brocade lining

Sleeveless robe, Date Unknown

China

Not on View
blue and cream-colored woven silk cord with fringed ends

Festival braided cord (kumihimo), early 20th century

Unknown

Not on View
silk panel; tree in orange silk applique at top center; scattered blue flowers with gold threading that outlines flowers; sections of blue and white striped curving areas at bottom, in center and at top corners

Fragment from a kosode, late 18th-early 19th century

Unknown

Not on View
panel with two sections joined in middle; woven lines of green, red, and black alternate sections with geometric designs; fringed tassels on both ends; gray background

Duna cloth, 1950

Nupe

Not on View

Man's Hat, 20th century

Miao

Not on View
from a chair back upholstery; floral design in pink, peach, green, on beige ground; patterned silk

Fragment, 19th century

France

Not on View
black with cream colored embroidered tape and lavender embroidered cuffs; waist tie; metal neck closing

Woman's Summer Outer Jacket, 19th century

China

Not on View

Kimono, 19th century

Unknown Japanese

Not on View
Man's Kimono, Meiji Period, 1868-1912, green silk with padded sleeves and hem, lined.

Man's Kimono, 19th century

Unknown Japanese

Not on View
Ochre, pink, purple striped with section with diamond motifs.

Ceremonial scarf, Date Unknown

Tai

Not on View
Background red with blue, white, orange, green patterning.

Ceremonial scarf, Date Unknown

Tai

Not on View
Card case(?) of stiff material covered on the outside with satin and lined with silk damask. One side is embroidered with birds and flowers on a blue ground - the other with flowers and a bat on a light red gorund.

Card case (?), 19th century

China

Not on View
One of set. Two blue satin bags embroidered in gold and silver; yellow silk draw cords terminating in four tassels wound in silver thread.

Scent pouch, 19th century

China

Not on View
silk padded kimono; brown and white alternating bands, feathered appearance between bands; printed falcon designs with black pole and purple tie repeated throughout

Boy's robe with tethered hawks, 19th-20th century

Unknown Japanese

Not on View
orange pants with pleated, very wide legs

(Female hakama for priestess), first half 20th century

Unknown Japanese

Not on View
green background with gold waving lines and circular cloud or wave motifs with dragon heads

Noh costume jacket (happi), first half 20th century

Unknown Japanese

Not on View
corte in yellow silk with a roughly sewn seam joining; green lines across top and bottom as well as alternate vertically; green, red and muted brown geometirc embroidered shapes intermixed with green lines

Corte, 20th century

Guatemala

Not on View
decorated with hanging cherry blossom and mist on purple ground

Noh costume (chĹŤken), 19th century

Unknown Japanese

Not on View

Child's Hat, 20th century

Miao

Not on View
fine patterned weave of off-white with five bands of Chinese characters in blue on each end; both ends have fringe with knotted ends

Head Scarf, Date Unknown

Miao

Not on View
predominately pink; woven in stripes with slight checked effect; some stripes form subtle diamond patterns; predominately pink, white and black at ends

Head scarf, c. 1985

Miao

Not on View
predominately pink; woven in multicolor striped design with some stripes forming subtle diamond patterns

Head scarf, c. 1990s

Miao

Not on View
dark blue with lighter blue stripes on half; four bands of embroidered and woven multicolored chain designs; one wider band of geometric and linear multicolored embroidered and woven designs

Head scarf, c. 1985

Miao

Not on View

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